GODS OF SUBURBIA
Who doesn’t wish they could be Satan, just for a day, operating without the prick of a conscience? My modern Mephistopheles is a tow-truck driver, winching up the car of a grandmother who pleads with him but her dismay amuses him. This photograph is a critique of how draconian the rules of society can be. Satan has the authority to tow grandmother’s car away, but is it the right thing to do? As a society, we devise laws that are meant to make society a just place for all—but we fail so often.
Mounted Transparency with LED LIGHT PANEL
Archival top mounted transparency on acrylic with LED light panel / Framed : add matte inches
Large Edition 1 - 7 Medium Edition 1 - 10 Small Edition 1 - 20
3”M 39”X 50” Panel 33”X 44” 2”M 29.3”X 37.6” Panel 25.3”X 33.6” 1”M 18”X 23.2” Panel 16”X 21.2”
Gods of Suburbia
This is Dina Goldstein’s third large-scale project 2013-2014. The work is a visual analysis of religious faith within the context of the modern forces of technology, science and secularism. The series plays with narrative and religious iconography in order to communicate how organized belief has become twisted within a global framework driven by consumerism and greed. The project challenges the viewer — religious or secular — to embark on a journey of self-reflection as they contemplate the relevance of dogma in modernity.